Andrea Hill, Founder and Artistic Director
Andrea Hill is founder and Artistic Director of City Ballet, which has almost 150 students enrolled exclusively in classical ballet – the only school of its type in the region. Celebrating a 32-year teaching career (1992-2024), Andrea’s students have received numerous awards and recognition: four accepted into the School of American Ballet year-round; eight accepted into the UNCSA year-round; two students receiving the prestigious Rudolph Nureyev Foundation Award (2002-2003 and 2018-2019), one recipient of the Jerome Robbins Scholarship, two recipients of American Ballet Theatre's "National Training Scholarship" in 2003 and 2004, and three recipients of the NSLI for Youth Moscow (invited to study at the Bolshoi in Moscow) in 2011, 2014, and 2016 (awards are given to only 15 to 20 dancers among thousands worldwide). Andrea’s former students have danced professionally with American Ballet Theatre, Miami City Ballet, Ballet Magnificat!, Peridance Contemporary Dance Co. (NYC), Ballet Memphis, Smuin Ballet, Nicolas Andrea Contemporary Company (NYC), Avant Chamber Ballet (Dallas), and many others.
Diane Orio Gerberg, Company Ballet Mistress and Instructor for Ballet
Diane Orio Gerberg performed many principal roles with the Joffrey Ballet from 1968 to 1982, and was elevated to Ballet Mistress in 1978 where she directly assisted Robert Joffrey, Gerald Arpino, and countless legendary choreographers. Having worked with top professional companies and extraordinary dancers from around the world (including Rudolf Nureyev, Kevin Mackenzie, etc), Diane has a wealth of knowledge and experience to share with students. She is a specialist in refining technique and perfecting details in the studio. She brings to City Ballet a link to the styles of legends like Gerald Arpino, Robert Joffrey, George Balanchine, Frederick Ashton, Twyla Tharp, Jose Limon, and many others.
Alex Manning, Ballet Master and Instructor for Ballet
Alex Manning is a former professional dancer with Miami City Ballet where he performed countless Balanchine works along with repertoire of renowned choreographers from all over the world. He began his training with the Ballet Theatre of Central Pennsylvania under the direction of Andrea Hill. After six years, Alex studied one year with Walnut Hill and then furthered his training at Central Pennsylvania Youth Ballet under the Direction of Marcia Dale Weary. During his time at CPYB, he also received private training with Laszlo Berdo and Leslie Hench. Manning was awarded the Jerome Robbins Scholarship while at CPYB.
Alex has been a City Ballet Guest Artist and frequent Guest Faculty. His passion for teaching, his knowledge and broad dance experience, along with his love for City Ballet Faculty, Students, and the Wilmington area made City Ballet his top choice for this next chapter in his dance journey. Alex serves as Ballet Master, Instructor for Ballet, Partnering/ Adagio, and Boy's/ Men's Training.
Alex Manning is a former professional dancer with Miami City Ballet where he performed countless Balanchine works along with repertoire of renowned choreographers from all over the world. He began his training with the Ballet Theatre of Central Pennsylvania under the direction of Andrea Hill. After six years, Alex studied one year with Walnut Hill and then furthered his training at Central Pennsylvania Youth Ballet under the Direction of Marcia Dale Weary. During his time at CPYB, he also received private training with Laszlo Berdo and Leslie Hench. Manning was awarded the Jerome Robbins Scholarship while at CPYB.
Alex has been a City Ballet Guest Artist and frequent Guest Faculty. His passion for teaching, his knowledge and broad dance experience, along with his love for City Ballet Faculty, Students, and the Wilmington area made City Ballet his top choice for this next chapter in his dance journey. Alex serves as Ballet Master, Instructor for Ballet, Partnering/ Adagio, and Boy's/ Men's Training.
Merlee Hill, Assistant Director and Instructor for Ballet and Contemporary
Merlee Hill began ballet at the age of 2 years old at the Ballet Theatre of Central PA and has continued her study of ballet for over 25 years. She was a principle dancer with the Ballet Theatre of Central PA where she danced such roles as The Sugar Plum Fairy partnering with American Ballet Theatre’s Arron Scott in The Nutcracker, The Princess in The Firebird, Abigail Williams in a ballet interpretation of the play The Crucible, and many others. Merlee has been performed with Louisville Ballet, Pilobolus Dance Company, and North Carolina Dance Theatre. She received acceptances into summer programs with The Joffrey Ballet and attended American Ballet Theatre in Irvine, California in 2003 and Tuscaloosa, Alabama in 2006. She has worked with teachers from top companies around the world including The Martha Graham Dance Company, Philadanco, Limon Dance Company, and others. Merlee was also a principal dancer with Brio (a modern dance company in PA). Merlee is a professional photographer (Merlee Hill Photography) providing wonderful photos for families, special events and performances. She has choreographed works for City Ballet such as "The Picture of Dorian Gray" and "Jane Eyre."
Erin Cimino, Faculty for Children's Division and
Director of Student Management
Erin Cimino grew up dancing at Martinique School of Dance in Richmond, VA. Having graduated in 2000 with her BFA in Dance Performance from Shenandoah University, she moved to New York and started teaching. She graduated with her MA in Dance Education from NYU in 2004. From there she worked as a Teaching Artist for American Ballet Theatre and at studios across Long Island. At the Invitation of Deborah Damast (director/ choreographer of DamastDance) she performed around NYC. She also performed as a member of the Kaleidoscope Company with the Dance Ed Department at NYU.
Erin has a passion for working with students to bring out their personal best through teaching, mentoring, and coaching. Erin has worked with students of all levels, even offering classes for special needs students. After Erin's daughter Meghan joined City Ballet, Erin has been a valued volunteer both helping with costumes and working as Director of Student Management for performances. We are delighted to welcome Erin and her family to City Ballet for the 2023-2024 Full Session.
Erin has a passion for working with students to bring out their personal best through teaching, mentoring, and coaching. Erin has worked with students of all levels, even offering classes for special needs students. After Erin's daughter Meghan joined City Ballet, Erin has been a valued volunteer both helping with costumes and working as Director of Student Management for performances. We are delighted to welcome Erin and her family to City Ballet for the 2023-2024 Full Session.
Helen Hill, Instructor for Ballet and Contemporary
Helen Hill began her ballet journey at 3 years old at the Ballet Theatre of Central Pennsylvania and joined City Ballet in 2011, where her passion for dance flourished. She quickly became an engaged student, taking on extra classes by assisting younger dancers and fulfilling a mentor role. In 2016, Helen joined the City Ballet faculty as a Ballet Instructor while continuing her training with the Company.
In 2017, Helen attended the American Ballet Theatre summer program in Tuscaloosa, Alabama, where she was placed at the highest level. However, she found her greatest growth came from staying at City Ballet during the summers.
Throughout her time at City Ballet, Helen has performed several principal roles, including Aurora in The Sleeping Beauty and Titania in
A Midsummer Night’s Dream, opposite former professional dancer Alex Manning as Oberon.
Although Helen chose not to pursue a professional dance career, she graduated from NC State University in 2023 with a degree in Psychology and plans to further her studies in the future to become a licensed mental health counselor. She continues to teach part-time at City Ballet, where she creates a nurturing and inspiring environment, emphasizing mental health awareness, support, and fostering a strong sense of community.
In 2017, Helen attended the American Ballet Theatre summer program in Tuscaloosa, Alabama, where she was placed at the highest level. However, she found her greatest growth came from staying at City Ballet during the summers.
Throughout her time at City Ballet, Helen has performed several principal roles, including Aurora in The Sleeping Beauty and Titania in
A Midsummer Night’s Dream, opposite former professional dancer Alex Manning as Oberon.
Although Helen chose not to pursue a professional dance career, she graduated from NC State University in 2023 with a degree in Psychology and plans to further her studies in the future to become a licensed mental health counselor. She continues to teach part-time at City Ballet, where she creates a nurturing and inspiring environment, emphasizing mental health awareness, support, and fostering a strong sense of community.
Hayden Johnson, Instructor and Choreographer for Ballet
Hayden Johnson started ballet at 3 years old at the Ballet Theatre of Central PA and studied ballet for 25 years. A gifted student, Hayden pursued both ballet and musical theater and was delighted to be accepted into the Bolshoi Ballet summer program at the age of 12. After joining City Ballet in Wilmington, Hayden shifted her focus solely to ballet and attended the summer programs of American Ballet Theatre in Tuscaloosa AL in 2013 and their New York Collegiate Program in 2016, as well attending Central Pennsylvania Youth Ballet's year-round program from 2016-2017. She has performed with Louisville Ballet, North Carolina Dance Theatre (now Charlotte Ballet). Over the years, Hayden has performed many principal roles including Wendy in Peter Pan, Christine in the Phantom of the Opera, the Sugar Plum fairy in the Nutcracker, and more. After an ankle surgery in 2015 and 2 years of rehabilitation, Hayden has devoted herself to teaching, choreographing, and mentoring students with a strong focus on musicality, expression, and self-care for mental and physical health. She and her husband Trevor often perform Character roles with City Ballet, and students enjoy when their African Gray "Tido" visits the studio.
Rhiain Wise (Ballet & Character Instructor)
Joshua Wise (Guest Choreographer and Instructor)
Rhiain Wise studied the Royal Ballet syllabus working with teachers from the renowned Australia Ballet, where she also was trained in Character. After an injury, Rhiain furthered her training with Joffrey NYC. Rhiain became a teacher for Ballet Magnificat! where she mastered the Vaganova syllabus for their curriculum.
Rhiain's husband Josh danced professionally with Ballet Magnificat! where he also served as a teacher and set designer. Josh choreographed two highly acclaimed works for City Ballet - "The Hunchback of Notre Dame" and "Resilience."
Josh and Rhiain live in Wilmington with their son Jadon.
Rhiain's husband Josh danced professionally with Ballet Magnificat! where he also served as a teacher and set designer. Josh choreographed two highly acclaimed works for City Ballet - "The Hunchback of Notre Dame" and "Resilience."
Josh and Rhiain live in Wilmington with their son Jadon.
Tribute to Nina Danilova, Former Artistic Advisor
Nina Danilova was a 1978 graduate of the Lunatcharski University of the Arts in Moscow, Russia. A doctoral candidate at the State Institute of Theatrical Arts, Nina specialized in teaching, staging classical ballets and choreography. She was a graduate of the Vaganova Institute in St. Petersburg, Russia. Nina danced with the Kirov Ballet in St. Petersburg, was a Principal dancer with the Moscow State Ballet Theatre and since 1983 taught and staged ballets around the world, including Russia, Poland, Italy and the United States. She recently published Eight Female Classical Variations with Oxford University Press, and served as editor for the magazine “Soviet Ballet” and the book Thirty Variations from Classical Ballet Repertoire. Nina served on the faculty at Pacific Northwest Ballet in Seattle from 1991 to 1996, when she left to join the ballet faculty of the University of North Carolina School of Arts. In addition to teaching, she also staged classical ballet for UNCSA and created several original choreographic pieces.
Nina worked with City Ballet staging the five Raymonda Variations performed as part of Hill's A Midsummer Night's Dream. She was a frequent guest teacher and adviser for The City Ballet.
Nina worked with City Ballet staging the five Raymonda Variations performed as part of Hill's A Midsummer Night's Dream. She was a frequent guest teacher and adviser for The City Ballet.
Jan Burkhard, Guest Artist and Faculty
Jan Burkhard began her professional training at the School of American Ballet at the age of 9. She performed numerous ballets with New York City Ballet and was involved in the New York Choreographic Institute. Upon completion, she was also the recipient of the Mae L. Wien Award in 2005 for Most Outstanding Promise. In the fall of 2005, she became a member of Carolina Ballet’s corps de ballet. In 2009, she was nominated for the Princess Grace award. She rose through the ranks and was promoted to Principal in 2011. She has performed principal roles including Princess Aurora, Juliet, Firebird, Sugar Plum Fairy, and Giselle.
Jan has danced the role of Sugar Plum Fairy in City Ballet's A Carolina Nutcracker and is on the City Ballet Summer Faculty. She is a frequent guest teacher and coach with City Ballet.
Jan Burkhard began her professional training at the School of American Ballet at the age of 9. She performed numerous ballets with New York City Ballet and was involved in the New York Choreographic Institute. Upon completion, she was also the recipient of the Mae L. Wien Award in 2005 for Most Outstanding Promise. In the fall of 2005, she became a member of Carolina Ballet’s corps de ballet. In 2009, she was nominated for the Princess Grace award. She rose through the ranks and was promoted to Principal in 2011. She has performed principal roles including Princess Aurora, Juliet, Firebird, Sugar Plum Fairy, and Giselle.
Jan has danced the role of Sugar Plum Fairy in City Ballet's A Carolina Nutcracker and is on the City Ballet Summer Faculty. She is a frequent guest teacher and coach with City Ballet.
Adam Crawford Chavis, Guest Artist and Faculty
Adam Chavis joined Carolina Ballet in August 2009. He received his professional training at the North Carolina School of the Arts in Winston-Salem and the School of American Ballet in New York City. Adam has choreographed several ballets, one for NCSA (spring workshop in 2008) and one at SAB (student choreographic workshop in 2009). In 2009 he was chosen to dance for the New York Choreographic Institute. Adam has danced with City Ballet in the principal role of Drosselmeyer in A Carolina Nutcracker, as Hook in Peter Pan, and is on the City Ballet Summer Faculty.
Adam Chavis joined Carolina Ballet in August 2009. He received his professional training at the North Carolina School of the Arts in Winston-Salem and the School of American Ballet in New York City. Adam has choreographed several ballets, one for NCSA (spring workshop in 2008) and one at SAB (student choreographic workshop in 2009). In 2009 he was chosen to dance for the New York Choreographic Institute. Adam has danced with City Ballet in the principal role of Drosselmeyer in A Carolina Nutcracker, as Hook in Peter Pan, and is on the City Ballet Summer Faculty.